Quire & Gild

Publishers

The houses we deal in.

The names that come up most often in what we buy and sell. The list is not closed: if a book was made properly, we want it whoever printed it.

Norwalk, Connecticut

Easton Press

Leather bound, gilded edges, moire endpapers, sewn. Known for the 100 Greatest Books Ever Written, the Deluxe Limited Editions and a long running signed first edition programme.

What we have from them

United States, from the 1970s

The Franklin Library

The book division of the Franklin Mint. Heavily gilt full leather editions: the 100 Greatest Books of All Time, the 25th Anniversary series, the limited editions, and the Signed First Edition Society volumes signed by living authors.

What we have from them

London, founded 1947

The Folio Society

Slipcased cloth and illustrated editions, with artists and introductions commissioned for each title. Also numbered limited editions in smaller runs.

What we have from them

New York, founded 1929

Limited Editions Club

Founded by George Macy. Limited illustrated editions, many signed by the artist, issued to subscribers with a monthly letter.

What we have from them

United States

Heritage Press

The companion imprint to the Limited Editions Club: the same designs, unlimited and affordable. Often the only way to hold a Macy design.

What we have from them

London, founded 1922

Nonesuch Press

Meynell, Mendel and Garnett. Typography led editions arguing that fine design did not require a hand press.

What we have from them

San Francisco, founded 1974

Arion Press

Founded by Andrew Hoyem. Letterpress, commissioned artwork and its own typefoundry. Among the most ambitious American books of the period.

What we have from them

United States, founded 1985

Thornwillow Press

Letterpress on dampened paper, hand bound, working with contemporary writers and artists.

What we have from them

Gloucestershire, founded 1971

Whittington Press

Letterpress from a working printing house, and publisher of Matrix, the journal on type and printing.

What we have from them

United States

Gryphon Editions

Leather bound classics and facsimiles in law, medicine and science, issued in themed libraries.

What we have from them

Contemporary fine press

Suntup Editions

Signed limited editions of modern fiction in lettered, numbered and artist states, with commissioned artwork and bespoke bindings.

What we have from them

Contemporary fine press

Centipede Press

Heavily illustrated limited editions in horror, crime and literary reprints, produced in small runs.

What we have from them

The private presses

Where the modern fine edition comes from.

The revival of fine printing in Britain set the standards the modern houses still work against.

Kelmscott Press

Founded 1891 by William Morris. The press that started the revival, with its own types and dense decorated pages.

Golden Cockerel Press

Founded 1920. Best known for the wood engraved work of the 1920s and 1930s.

Ashendene Press

Founded 1895 by C. H. St John Hornby. One of the three great presses of the movement.

Gregynog Press

Founded 1922 in Powys by Gwendoline and Margaret Davies. Welsh printing and binding of the first rank.

Doves Press

Founded 1900 by T. J. Cobden-Sanderson and Emery Walker. Undecorated pages, carried entirely by the type.

Nonesuch Press

Founded 1922. Fine design produced on machine presses, widening who could own a well made book.

Terms

The words in a listing, and what they actually mean.

Trade shorthand is not there to keep you out. It is there because it is precise.

Quire

A gathering of folded sheets, sewn through the fold. The unit a book is built from.

Limitation leaf

The page stating the size of the edition and this copy's number. Often where the signature sits. A book without it has lost its proof.

State

Lettered, numbered and artist copies are three different books at three different prices, from the same press run.

Raised bands

The ridges across a leather spine, made by the cords the gatherings are sewn onto. Real ones are structural; false ones are glued on.

Headcap

The turned leather at the top of the spine. The most commonly damaged part of a fine binding, because people pull books off shelves by it.

Text block

All the pages together, without the covers. If it is loose in the binding, the book needs work.

Price clipped

The corner of a dust jacket cut away to hide the price. It reduces value, so it is always disclosed.

Association copy

A copy owned by or inscribed to someone connected with the book. Usually worth more than a plain signed copy.

Foxing

Brown speckling on paper, from damp or impurities in the sheet. Common, describable, and not the same as mould.

Holding something from one of these houses?

Send us the details. We will tell you what it is, what state it is in and what it is worth.

Request a valuation